Showing posts with label urban fantasy. Show all posts
Showing posts with label urban fantasy. Show all posts

Saturday, March 21, 2009

Rescued from the Shelf: A Certain Slant of Light


I have, like most of you, piles of books. There are so many books that we don't have enough shelves for them -- even though our house is full of shelves. We have boxes of books and stacks of books and piles of books. We hoard our pennies to buy more shelves, but we always end up with more books. Somehow. Oddly. As if the universe were conspiring against us.

There are never enough hours in the day (yes, I know: a topic for an entire week of posts, debating a myriad of sides), so, of course, I've only read a portion of the books I own even though I'm always reading. Not too long ago, however, I rescued A Certain Slant of Light by Laura Whitcomb from the shelf and finally devoured it.

I had originally picked out the book because of -- you guessed it -- the title. Any reference to Emily Dickinson immediately piques my interest. Secondly, the picture was intriguing: a girl with long hair mostly submerged in a bathtub with only her hands showing.

The premise -- a ghost who falls in love with the only boy who can see her -- is not that of a love story or that of teenage angst or even that of being invisible, although these elements all permeate the text. Instead, it's a novel that explores both acceptance and forgiveness, more specifically the ability to accept and forgive oneself for past failures, mistakes, missteps.

My review in a nutshell: As an English major, I enjoyed the references to literary figures woven into the text. As a writer, I appreciated the nuances of emotion, both teenage and adult, deftly unveiled through character development. As a reader, I reveled in the plot less traveled. As a teacher of teens for the past ten years, I had to admit: I've seen far too many students in Billy's predicament, with home lives in turmoil and drug and alcohol abuse constant companions. I've seen none in Jenny's, however, none who live imprisoned in some gestapo-like "Christian" household. That was the one unrealistic part, the part that felt like Whitcomb abused as some authorial soap-box of sorts. It left a metallic taste in my mouth, even though I thoroughly enjoyed the rest of the book. Even though I recommend it to you now.

The Connection:
A Certain Slant of Light perched on the chair next to my computer desk for a month or so before I happened to read on KatW's blog that she too was reading it. How funny that both of us picked up a book, published in 2005, and read it at the same time. I just love connections like that.

Monday, August 18, 2008

How to Publish Without an Agent

My advice is to secure an agent (see previous posts). However, it's still possible to see your book in print without the advice and guidance of one. Read on for tips.

It is possible to be your own literary agent. I don't personally know anyone who has gone that route, but I do know it's been done.

1. Search out publishing companies that accept unagented, unsolicited manuscripts. There are lots that say they do, but whether or not your manuscript receives more than a cursory glance is hard to determine.

2. Do the research. Each of these publishing companies details specific guidelines for submitting your work. They're all different. Look up what they want, do a google search for an editor to send it to, and then personalize the query letter.

3. Find out what it takes to represent your own work. I would recommend Martin P. Levin's book Be Your Own Literary Agent: The Ultimate Insider's Guide to Getting Published. While not the final word on the subject (chapter on contracts advises finding a lawyer or an agent) , it will still give you some tips on getting an editor to look at your work.

Are you someone who has gone the unagented route? What were your experiences? Did you find that getting published led you to an agent? Or did you decide to continue on alone?

Saturday, July 26, 2008

Team Seattle (AKA: the Fey Fab Five)


Subbing for Yasmine Galenorn at the PNWA, these five pushed it into overdrive and led a fantastic workshop. From left to right: Caitlin Kittredge, Richelle Mead, Cherie Priest, Kat Richardson, and up front, Mark Henry.

Urban Fantasy World-Building

As promised, here are the key points from the Fey Fab Five's world-building workshop. (Ok, they call themselves Team Seattle, but I couldn't resist.) Note that most of these can be used with high fantasy or sci fi as well.

1. Setting informs plot and character development:
* Cake Mix: start with the known world and break some rules (ex: America w/ underground zombie world).
* Scratch cake: build a world of your own, adding rules as you go (ex: Forgotten Realms).

2. Awareness level of audience:
* Closed world: fantasy aspects are secret; only open to protagonist and a few others
* Open world: fantasy completely integrated; everyone knows.
* Inciting Event: something that either opens up the world or closes it off.

3. Role of known mythology:
* Use known myths, tweak, and make your own.
* Do research first so that you know what you're talking about.
* Know your stuff: Apollo could currently be the god of the tanning bed, but probably not the god of dishwashers.

4. Economics:
* Who are the movers and the shakers? Where does the money (or goods/materials) move?
* Who controls what?

5. Limits:
* A magical system must have rules and limits; there has to be give and take.
* Your protagonist should have a fatal flaw.
* There has to be something on the line, so that your audience cares.

6. Consistency:
* There needs to be consistency within the genre that you're working in. For example, magic always has a cost. Or, were-creatures need to be a comparable size to humans. You don't hear about were-ferrets.
* There also needs to be consistency within your own book or series. Think about all the angles, restrictions, etc, before you even begin writing so that you know the limits of your own world.

7. Tropes & Stereotypes:
* Find out the common archetypes or hallmarks of the genre or subgenre you're working in.
* Select one, then put a spin on it.

Friday, July 25, 2008

When Yasmine Galenorn had to cancel her workshop at PNWA (she writes the Otherworld/Sisters of the Moon Series for Berkley), I feared the worst. What dried-up has-been fillers would the conference wizards drag in to save the day? Well, they brought in five fillers, and it turned out to be the highlight workshop of the conference.

World-building with Caitlyn Kittredge, Richelle Mead, Kat Richardson, Cherie Priest, and Mark Henry (don't you love a man with two first names?) was informative, raucous, interactive, and full of messy, synergistic fun. Not previously acquainted with the urban fantasy line, I didn't know any of these chic and possibly fey authors, but I planned on getting to know them asap. After driving six hours home, my first stop was at the local book store.

Tomorrow's post will deal with the points they made in worldbuilding.

You can also catch up with Cherie Priest and many other urban fantasy authors at http://community.livejournal.com/fangs_fur_fey